Ricoh Pentax 17 Review: Is the New Half-Frame Film Camera Worth $500?

Author Photographer
  • Daniel Varghese

Camera
  • Pentax 17
Film
Ricoh Pentax 17 Review: Is the New Half-Frame Film Camera Worth $500?

We tested the first film camera Pentax has produced in nearly two decades to see if the lofty expectations live up to the hype


Published: 09-23-2025

Updated: 09-24-2025

About the author

Daniel Varghese
Daniel Varghese
Daniel Varghese is an editor based in Brooklyn, NY. He covers gear, design, menswear, and endurance sports—at least when not biking between appointments.
Field Mag may receive a minor commission from purchases made via affiliate links.

Driven by the ongoing rise of interest in film photography, in Summer 2024 camera manufacturer Ricoh launched the Pentax 17, its first new film camera in nearly two decades. Built for beginners, the $500 camera sits in the large middle ground between a fully adjustable SLR like the Nikon F100 and a point-and-shoot film camera like the Olympus Mju II. Like the latter, the Pentax 17 has an automatic shooting mode that handles focus and exposure without manual fine tuning. But the new camera also offers other manual modes that let you control for specific situations, as explained below.

Though unlike the vintage film cameras most modern hobbyists are used to, the Pentax 17 is a “half-frame” camera, meaning it captures 2x the frames on a standard roll of film—at half the resolution.

To determine whether this unique combination of features made the camera worth purchasing, I spent four months testing the Pentax 17. I used it in my nearly windowless ground floor Brooklyn apartment, took it along with me on bike rides around the city, and brought it on trips to Alabama, Vermont, Arkansas, and Michigan. Read on for my full hands-on review.

All images in this review were made on the Pentax 17, same for the images of the camera itself.


What Is a Half-Frame Camera?

A half-frame film camera captures two pictures within in a single 35mm format film frame, meaning for every roll of film, instead of the usual 36 frames (37 if you're lucky) you'll capture 72, give or take depending on film loading.

By exposing half of a single 35mm wide frame of film to light each time you hit its shutter button, you find up with frames that are 17mm x 24mm in dimension (hence the camera name). As a bonus, the vertically-oriented photos shot on a half-frame camera fit nicely on a phone screen. And though the 17 mm x 24 mm dimensions isn’t quite the 4 x 5 ratio now preferred by Instagram, it’s close enough.

The The Pentax 17 and all half-frame cameras use standard 35mm film, loaded the same say any other 35mm rangefinder or SLR is. However, getting twice as many images out of a roll than you do with say, an Olympus Stylus makes the growing costs of film a bit easier to swallow.

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The author Daniel and his spaniel.

Ricoh Pentax 17: History & Release Date

Pentax has historically produced a number of fan favorite film cameras, including the super-simple K1000, a compact SLR that’s incredibly easy to use. Of course, that camera, like many of our other favorite film snappers, was first released in the mid-1970s and was discontinued before the turn of the millennium. If you want to buy one, you’ll have to roll the dice on a model from eBay, shell out for one that’s been vetted by your local camera store, or pray one of your grandparents had a secret past life as a hobbyist photog.

As the popularity of shooting film has grown over the last decade, Pentax (and its current parent company Ricoh) started to bet there was a market of potential photographers who would want a new film camera that offered the tactility of vintage options without going through the rigamarole of shopping secondhand. The easiest way into the market might have been to produce a camera like the Kodak Ektar H35, a $50 option with no further complications than a shutter on and off dial. Instead, the Ricoh and Pentax team spent a couple of years thinking about why people choose to shoot film and what intermediate photographers actually needed.

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The resulting Pentax 17 camera, first teased in 2022, was released in June 2024 with a sticker price of $500. The camera was a quick hit, with initial demand surpassing the company's expectations—or perhaps, more accurately, its manufacturing capabilities—and quite difficult to purchase through a lot of its first year in existence.

Though some reporting has indicated that the good times have not quite rolled: Earlier this year, Japanese camera designer Takeo Suzuki left Ricoh, leaving plenty of online film camera reviewers to eulogize the Pentax film project. Reports of an actual “pause” on production of the Pentax 17, however, seem exaggerated. For its part, Pentax says it has available inventory and production to fulfill PENTAX 17 orders as we receive them. "The camera is still very popular as we’ve received a lot of positive feedback from users on how much they love their PENTAX 17," said a representative from the company in an email.

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The Rundown: Pentax 17 Specs & Functionality

Though I shot mostly on automatic, which handles exposure and shutter speed for the user, the Pentax 17 does feature additional functionality in the form of a selectable zone-focus system, manual film winding, manual film advance lever, and exposure compensation and ISO sensitivity adjustments, each with their own dials on top of the camera. This lends both modern functionality to vintage aesthetics. A winning combination overall.

Design & Ergonomics

The Pentax 17 is a relatively compact camera, constructed from lightweight aluminum and plastic. Thanks to a raised, textured grip on the shutter side, the camera sits quite comfortably in hand, allowing you to fully appreciate all the tactile components you have to fiddle with to get your shot.

Of all the dials, you’ll likely mess with the ISO setting option the least often. I only touched it when I was loading a new roll of film, to make sure the rating of my film matched the sensitivity setting of my camera. The dial that got the most action, for me, was the one that allows you to select the shooting mode.

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The top of the camera, with the many settings dials in view

In any of the non-automatic modes, the camera’s focus and exposure dials come into play. The exposure mechanism works simply, allowing you to quicken or slow its native shutter speed. The focus dial around the 25mm F3.5 fixed-focal length lens is a bit odder. Rather than a continuous gradient, the Pentax 17 only allows you to set your focus within six “focus zones.” These range from a macro setting for objects about 10 inches in front of you to a “far distance” setting for anything at least about 17 feet away. As a rangefinder, what you see through the viewfinder isn't exactly what the lens itself sees, so using zone focus is a common way of approximating focus—you simply have to turn the dial to the setting that seems most appropriate and pray you’ve chosen the right one. (Users of the iconic Nikonos underwater cameras will be very familiar.)

Thankfully, the camera is also equipped with some helpful features that make these physical components idiot-proof. For example, if you try to shoot an image before you’ve used the lever to advance the film, two led lights next to the optical viewfinder will flash blue and orange in quick succession to make sure you don’t accidentally produce a double exposure. These lights also come into play when you’re shooting in one of the camera’s six non-automatic modes. When you’ve half-pressed down the shutter button, the lights will flash if the camera thinks you’ve improperly adjusted its focus dial. They’ll also flash if you have the lens cap on—another compromise required by the Pentax 17’s optical, not live, viewfinder.

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Ricoh Pentax 17 Hands-on Review

Pentax 17 Pros

The Pentax 17 offers a satisfying synthesis of traditional tactility and contemporary capability. It is a delight to load it with film, manually twist the ISO setting dial, select a shooting mode, click through to the right focus dial, pull back the advance lever, and capture your shot. And thanks to its half-frame design, you get to go through most parts of this process twice as many times as you would on a conventional full-frame film camera. When you’re finished with a roll, the process of actually unwinding it is nearly as fun as shooting—press a button on the bottom, flip the metal flap on the ISO sensitivity dial up, then pull it out, and spin it around until your film is all loaded within its canister.

All of this physicality and fun would be meaningless if the Pentax 17 produced bad or even mediocre images. Fortunately, even a hobbyist photographer will be able to get impressive snaps out of this camera. The automatic setting works surprisingly well, showing few issues figuring out the appropriate focal point, exposure levels, and flash choice. In the few instances where I shot the same subject in auto mode and a specific mode I chose, I often preferred the shot taken in Auto mode over the one I had attempted to dial in myself. Certainly, more time with the camera could have given me more time to experiment and familiarize myself with the full range of capabilities. But I’m confident that someone with very little experience shooting film could pick up this camera and shoot a whole roll in auto that they would feel was worth the effort.

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Pentax 17 Cons

In its attempt to create a camera that was relatively affordable, Pentax understandably had to make some compromises to the build specifications. For example, the camera has a built-in, non-interchangeable 25mm lens. It’s a good, wide angle lens, for what it is worth, made with glass and designed specifically for the half-frame format with an HD coating. Still, expert photographers might prefer the option to switch out the component with something else they have.

More glaring for me is the way the camera handles focus. I had few issues with the camera's “Auto” mode with one frequent exception: when I was trying to shoot a subject close to the camera. I ran into this issue several times during the first roll I shot during my tests of the camera, first with a pizza I ordered the night my camera arrived and later with a strawberry short cake made by a friend. When I got my scans back, I was disappointed to see neither dish appeared in focus in the final shots. (Ultimately, the results were still charming enough to post to Instagram.)

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The cake was delicious, but this photo is undeniably blurry.

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The next time I tried to take a picture of food, this time at a dark restaurant, I switched to the “Daylight sync” mode. The place was empty enough that I felt comfy using flash, especially because it was my literal birthday dinner. I switched the dial on the lens to the “Tabletop” focus mode, intended for objects about 1.5 - 2 feet away from you. The resulting photo was, again, comically out of focus.

On a point-and-shoot camera, where there’s really no way to control the focus, issues like this feel like the cost of doing analog business. But when you have some ability to control the focus, they feel far more frustrating.

Pentax pitches its “zone focus” system as a feature that makes the camera more simple to use for beginners. If the camera's viewfinder better indicated focus while adjusting, this might be true. The rangefinder camera does indicate the focus zone selected visible in the viewfinder, but I found it to be unreliable at times. Of course, as with any camera—or tool for that matter—practice makes perfect. Some stumbles are expected when learning a new device. That said, in the end, I found myself almost exclusively using the “Auto” mode and was happy enough with the results.

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Final Verdict: Is the Pentax 17 Worth It?

The Pentax 17 is a great camera. Since returning my test unit back to Ricoh last month, I’ve missed it tremendously. Once you’ve shot multiple rolls on a really nice, mostly metal camera, it feels a bit weird to go back to a plastic point-and-shoot with a non-functioning flash.

Still, at the price of $500, the Pentax 17 feels a bit like a camera without a natural buyer. If you’re the kind of person who wants to shoot film for its tactility, but doesn’t really want to have to mess with manual settings, the Pentax 17 is a great, reliable option. But you might be equally satisfied with a point and shoot with a powerful autofocus like the Konica Big Mini F. Heck, you might even be happier with a digital point-and-shoot camera that approximates the analog experience like the $70 Camp Snap.

Conversely, if you’re a photographer who has tried the point-and-shoot life and is looking to upgrade to something that’s a bit more powerful, you can always track down a trusted Canon AE-1 or Pentax K1000 with lenses for around $300 or less. Or you could ball out and explore the famed Contax G1 or G2 platform. The choice is yours!

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Frequently Asked Questions

What is a “half-frame” camera? A half-frame camera only exposes half of a single 35 mm frame of film to light at time. The resulting negative has a dimension of 17 mm wide and 24 mm tall. These dimensions actually work great for a world dominated by cell phones—they feel almost made for vertical screens. Plus, you get to take more shots out of a single roll of film than you would on a camera like the Canon AE-1.

What batteries does the Pentax 17 take? Like a lot of classic film cameras, the Pentax 17 does not take standard AA or AAA batteries. Instead, you’ll have to use a CR2 battery.

Does the Pentax 17 have a zoom lens? No, it has a 25mm single focal lens

Looking to step up your film camera game? Check out our picks for the best medium format film cameras.