How Big Rock Candy Mountaineering Finds Inspiration in Vintage Outdoor Gear

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  • Courtesy Big Rock Candy Mountaineering

How Big Rock Candy Mountaineering Finds Inspiration in Vintage Outdoor Gear

The brand's co-founder Samuel Hardeman talks vintage collecting, climbing culture, and creating an outdoor brand with fashion-world appeal


Published: 09-01-2026

About the author

Leon Hedgepeth
Leon Hedgepeth
Leon Hedgepeth is a menswear and grooming writer and market editor based in Cincinnati, Ohio. When he’s not writing, he enjoys time with his family, brewing local coffee, and perusing the latest records.
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Outdoor apparel brand Big Rock Candy Mountaineering launched in 2024 after a conversation between Wythe founder Peter Middleton and industry veteran Samuel Hardeman. The two met through a mutual friend who knew they shared an obsession with similar esoteric pursuits, like tracking down a vintage Eddie Bauer Karakoram jacket. "That was really it," Hardeman says. "We both knew how to make clothing well, and we both wanted an EB Karakoram that would fit and not cost $1,000."

At first glance, it's clear Big Rock Candy Mountaineering looks to the 20th century for inspiration. Its Arctic Parka references a '60s Eddie Bauer puffer, while the Doubleback Shorts nod to '70s Patagonia. Elsewhere, acid-trip-inspired graphic tees add an eclectic counterpoint. Beyond old-school products, iconic cultural figures also helped shape the brand's identity; one can sense Bob Dylan's aura drifting in to meet members of the Stonemasters.

Two years into building the brand, Hardeman has grown BRCM into a full-fledged label, offering playful knitwear, scrape-ready climbing pants, and some of the most recognizable footwear in the outdoor-inspired menswear space. The brand has secured its anchor where interest in fashion, vintage collecting, and the outdoors all meet.

I recently caught up with Hardeman to talk about his time at Knickerbocker and Rowing Blazers, how vintage band posters influence BRCM's graphics, his dream climbing destination, and what getting outdoors looks like for him these days.


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Samuel Hardeman wears Big Rock Candy Mountaineering

Before starting Big Rock Candy Mountaineering in 2024, what did you and Peter Middleton feel was missing from the outdoor market that you wanted to create yourself?

Peter was just about to launch the first Wythe Oxford shirt when we first met. We were introduced by mutual friends who told us, "You two are obsessed with the same things, and both want to start brands—you should be friends."

The idea of BRCM came later from a conversation about us both wanting an EB Karakoram. Ones in nice shape, more often than not, sell for $1,000 or more. The other issue we run into a lot with vintage is the fit; the sleeve length is always way too short for me. While that jacket could work for Wythe, the more we thought and read about the origins of the outdoor industry, the more we realized it could be its own thing.

What did your time at Rowing Blazers and Knickerbocker teach you, and when did you realize it was time to start your own brand?

I've known that's what I've wanted to do since high school—back then, I was screen-printing T-shirts and sewing in labels myself. I was always creative but knew nothing about running a business. I went to school in New York (shout-out St. John's) and interned at Knickerbocker while I was in school, and Rowing Blazers was my first full-time job out of college.

Knickerbocker exposed me to production and product development. At the time, they still had a factory in Brooklyn, so it was eye-opening to witness how many steps it takes to bring an item to life. I spent a lot of time sewing there before and after office hours. I really fell in love with the process of clothing manufacturing because of it.

Rowing Blazers was like getting an MBA. It grew so fast, and we accomplished so much in a short amount of time. I was exposed to working internationally, learned how a product and brand can tell a story, and had the opportunity to work on a wide range of products. Whether through our own line or collaborations, I got to design, develop, and produce a ton of different items, which was such a great experience.

I'd say once I was confident I could make anything, I knew I was ready to try something on my own. The timing coincided with the idea of a vintage American outdoor brand.

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Arctic Parka

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Valley Floor Long Sleeve Tee

The logo, typography, and graphics feel like an acid trip in Yosemite. Where did that aesthetic come from?

The cartoonist R. Crumb is the biggest inspiration for the overall vibe. (We actually emailed his agent and got a polite no. That would've been crazy.) Beyond R. Crumb, Peter and I are really into music. Pretty much any album or poster artwork from a '60s or '70s band is iconic in our minds.

What’s a dream climb for you?

We shot a campaign in Yosemite and stood at the foot of El Cap, and it's pretty magical. It's a big dream that feels further away as I get older, but who knows? Any climb in Yosemite would be amazing, as I haven't had the chance to do one yet.

Dead or alive, who would you want to see wearing BRCM?

I’ve got a soft spot for Bob Dylan.

Beyond the visual side, what brands, climbers, mountaineers, or photographers have had the biggest influence on BRCM?

Charles Houston and Eddie Bauer, Royal Robbins, Tom Frost, Yvon Chouinard, Steve Roper, Warren Harding, Jeff Lowe, Allen Steck, Skip Yowell, Jim Bridwell, Lynn Hill, and John Long.

The Stonemasters seem like a natural reference point for the brand. How often did you find yourself going back to that era while building BRCM? Are there any particular figures from that group whose work you still return to today?

In my mind, they are one of the groups that perfectly encapsulated the counterculture movement of the '70s. Their influence, both athletically and stylistically, around the world at the time is undeniable. It's pretty cool that climbers around the world started wearing silk scarf headbands because of them, well before the internet existed. Dean Fidelman's book The Stonemasters is one I go back to a lot. I also really enjoyed reading John Long's Rock Jocks, Wall Rats, and Hang Dogs. He's an excellent writer and a badass climber.

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What is it about that period of climbing and outdoor culture in the '60s and '70s that continues to resonate with you?

Mountaineers, alpinists, and climbers became product designers and innovators because the outdoor industry we know today didn't exist. Most didn't have any sort of product background, but they were creative and wanted to solve problems.

I really love that there were a lot of quirky, humorous niche labels that often started in people's garages. Some really fun, amazing products and pieces of hardware that seem like they've been around forever were invented in someone's garage. Beyond the innovation, that time period ranks very highly in our minds in terms of American design and style.

There are all kinds of outdoor brands—technical, lifestyle, fashion—what kind of outdoor brand is BRCM?

We are a vintage-inspired outdoor brand. We haven't set out to be the most technical outdoor brand on the market; we feel like there are already a lot of really amazing brands doing that. Our products can be worn casually and recreationally. Peter skis in his Bridalveil Jacket, and I regularly hike in our Doubleback Shorts and El Cap Boots.

What's your process for developing a color palette and deciding which colors belong on which garments?

Color has been pretty easy in a lot of ways because it was such a focal point of outdoor brands in the '60s and '70s. So a lot of it starts there. But we both really like color, so a lot of it is instinctive.

Accessories feel just as considered as the outerwear and apparel, from hats to sunglasses. Why was it important for those categories to receive the same level of attention?

We are first and foremost designing and making things for ourselves—the items that we want to wear all the time. So when we set out to create a new category or item, it comes from a place of, "I really want it, and I want it to be exactly like this."

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The El Cap and Scampwalker boots don't really look like anything else in the footwear market right now. What was the process of developing them, and why was making footwear such a priority from the beginning?

I really enjoy working on footwear, and I had only ever worked on collaborations, so early on, I really wanted to make a boot. While we knew it would be somewhat risky to launch footwear so early on, I think it's really important for world-building—the same goes for the sunglasses. Fortunately, we have really amazing partners who believe in us and took a risk on developing them, knowing the initial orders would be small. Footwear has become one of our strongest categories.

Who is the BRCM customer?

I think we have a few: vintage and history enthusiasts; outdoor adventurers looking for complementary products to their technical gear or an alternative; people into fashion; and people who care about well-made products.

What does getting outdoors look like for you these days?

Hiking or camping with my wife and two young kids, and mountain biking. I'm excited for my kids to get older so I can spend even more time outdoors with them.

Check out more of our Q&A chats with the makers of outdoor brands, like Atlantic Coastal Supplies.